A film interviewing the families of the heroes of United Flight 93, prior to the theatrical release of the feature film, United 93.

Jérôme Varenne, a French financier, lives and works in Shanghai with Chen-Li, his life and business partner. One day, during a short stay in Paris, while paying a call to his mother, he is very displeased to learn from her and his hated brother, that the family house in Ambray is going to be sold. Jerome decides to go to the town where he grew up to see what is going on. Little does he know how eventful his escapade will be. Little does he know that it will change his life from soup to nuts...

After a migrating duck family alights on their pond with thrilling tales of far-flung places, the Mallard family embarks on a family road trip, from New England, to New York City, to tropical Jamaica.

"The idea for Migration came to Viola while he was walking down a street one rainy day in New York. His glasses were covered with raindrops and he saw that each drop was a lens. Everything around him was covered with little hemispherical lenses that contained optical microcosms of the environment. He was surrounded by worlds within worlds . He couldn't see the images in the beads of water on a passing car but he knew they were there. It was a question of scale. He recalled an exhibition of satellite photos that showed first the east coast, then the New York area, then just Manhattan, then just lower Manhattan . What fascinated him was not that one could see buildings from that distance, but that such detail wasn't the result of a zoom or a blowup as we normally understand them. They hadn't used four different telephoto lenses and made four different pictures . It was all one computer-enhanced electronic image, a database. The information in the closeup existed already in the larger-scale".

"The idea for Migration came to Viola while he was walking down a street one rainy day in New York. His glasses were covered with raindrops and he saw that each drop was a lens. Everything around him was covered with little hemispherical lenses that contained optical microcosms of the environment. He was surrounded by worlds within worlds . He couldn't see the images in the beads of water on a passing car but he knew they were there. It was a question of scale. He recalled an exhibition of satellite photos that showed first the east coast, then the New York area, then just Manhattan, then just lower Manhattan . What fascinated him was not that one could see buildings from that distance, but that such detail wasn't the result of a zoom or a blowup as we normally understand them. They hadn't used four different telephoto lenses and made four different pictures . It was all one computer-enhanced electronic image, a database. The information in the closeup existed already in the larger-scale".

Second film in the 10 film series titled The New Option. The slim plot once again has Stone leading a group of rag-tag group of SDU recruits (is the force so hard up that they're allowing their cadets to go around with spiked and dyed hair?), while his squeeze (Suki Kwan) is working on a kidnapping case. After Suki loses her gun, her squad is taken off the case, and it's up to Stone and his boys to save the day.

Upcoming movie soundtracked by Childish Gambino.

Two hoplessly out of their class con-men attempt to pull off the largest bank heist of the l9th century—by gaining the enmity of the most famous bank robber in the world and the affection of a crusading newspaperwoman.

An American direct-to-video film that features highlights and bloopers from the NBA from its beginning to the film's release in 1989. The film is hosted by broadcaster Marv Albert and former Utah Jazz coach and executive Frank Layden. The video features brief biographies of NBA personalities including Darryl Dawkins, Bill Walton, John Salley and Frank Layden, as well as footage of dolphins playing basketball, a group playing basketball while riding horses and a group playing basketball on ice skates. Recaps of the 1989 and 1990 NBA slam dunk contest are also shown.

Guy Fuddle lives with grandma who's ill and wants to see her granddaughters sent away as kids before dying. Guy searches for his four sisters. When reunited, grandma's real motives are uncovered.